Rip Her to Shreds

Punk & New Wave Magazine

Punk and new wave, year by year

Eleven years from CBGB to Düsseldorf, in one timeline. Filter by city or style.

Timeline 1974 to 1984

43 events

1974

  1. Mar, New York

    Television play CBGB for the first time

    Punk

  2. Aug, New York

    The Ramones make their CBGB debut

    Punk

  3. New York

    Debbie Harry and Chris Stein start the band that becomes Blondie

    New Wave

1975

  1. Jun, New York

    Talking Heads play their first show, at CBGB

    New Wave

  2. Nov, London

    The Sex Pistols play their first gig, at Saint Martin's School of Art

    Punk

  3. Nov, New York

    Patti Smith releases Horses

    Punk

1976

  1. Jan, New York

    Punk magazine publishes its first issue

    Punk

  2. Apr, New York

    The Ramones release their debut album

    Punk

  3. Jun, Manchester

    The Sex Pistols play the Lesser Free Trade Hall

    Punk

  4. Jul, London

    Mark Perry puts out the first Sniffin' Glue

    Punk

  5. Sep, London

    The 100 Club holds its punk festival

    Punk

  6. Oct, London

    The Damned release New Rose

    Punk

  7. Dec, London

    The Sex Pistols' TV interview with Bill Grundy makes the front pages

    Punk

  8. Dec, New York

    Blondie's debut album appears, with Rip Her to Shreds

    New Wave

1977

  1. Jan, Manchester

    Buzzcocks release the Spiral Scratch EP themselves

    Punk

  2. Feb, New York

    Television release Marquee Moon

    Punk

  3. Apr, London

    The Clash release their debut album

    Punk

  4. Oct, London

    The Sex Pistols release Never Mind the Bollocks

    Punk

  5. Nov, London

    Wire release Pink Flag

    Post-Punk

1978

  1. May, New York

    No wave bands play the Artists Space shows

    No Wave

  2. New York

    The compilation No New York appears, produced by Brian Eno

    No Wave

  3. Aug, Akron

    Devo release their debut album

    New Wave

  4. Sep, New York

    Blondie release Parallel Lines

    New Wave

  5. Manchester

    Factory Records is founded

    Post-Punk

  6. Düsseldorf

    DAF form in Düsseldorf

    NDW

1979

  1. Jan, New York

    Blondie release Heart of Glass as a single

    New Wave

  2. Jun, Manchester

    Joy Division release Unknown Pleasures

    Post-Punk

  3. Sep, Leeds

    Gang of Four release Entertainment!

    Post-Punk

  4. Sep, London

    The Slits release Cut

    Post-Punk

  5. Hamburg

    Alfred Hilsberg writes about the Neue Deutsche Welle in Sounds

    NDW

  6. Dec, London

    The Clash release London Calling

    Punk

1980

  1. Apr, Berlin

    Einstürzende Neubauten give their first performance

    Post-Punk

  2. Jul, Manchester

    Closer appears, two months after the death of Ian Curtis

    Post-Punk

  3. Oct, Düsseldorf

    Fehlfarben release Monarchie und Alltag

    NDW

  4. Hamburg

    Abwärts release Amok Koma

    NDW

1981

  1. Oct, Sheffield

    The Human League release Dare

    New Wave

1982

  1. New York

    Blondie split up after The Hunter

    New Wave

1983

  1. Jan, Berlin

    Nena release 99 Luftballons

    NDW

  2. Mar, Manchester

    New Order release Blue Monday

    New Wave

  3. Apr, Athens, Georgia

    R.E.M. release Murmur

    New Wave

1984

  1. Feb, Manchester

    The Smiths release their debut album

    Post-Punk

  2. Mar, Berlin

    99 Red Balloons tops the UK singles chart

    NDW

  3. Jul, Minneapolis

    Hüsker Dü release Zen Arcade

    Punk

Sections

  • 5 pages

    Genres

    Punk, new wave, post-punk, no wave and Neue Deutsche Welle explained: where each style began, which records define it and where the boundaries blur.

  • 3 pages

    Scenes

    CBGB on the Bowery, New York punk and London in 1976: the clubs, shops and people that turned a few local bands into a movement.

  • 5 pages

    Lists

    The best punk albums, new wave songs, and the punk, post-punk and new wave bands that matter, each entry with year, place and a reason.

  • 2 pages

    Songs

    The stories behind punk and new wave songs: recording, line-up, chart history and meaning, told in our own words and without printing any lyrics.

  • 1 page

    Bands

    Independent band profiles from punk and new wave, starting with Blondie: line-ups, key records and where each band fits in the story.

  • 3 pages

    Press

    How NME, Sounds, Creem, Punk magazine and Sniffin' Glue covered and shaped punk and new wave, from weekly music papers to photocopied fanzines.

  • 3 pages

    Vinyl

    Practical guides to collecting punk records, identifying first pressings and choosing a turntable, with clear criteria and no made-up test results.

Where to start

Why the name

Rip Her to Shreds is a song from 1976. We liked what it stands for: sharp, fast and unimpressed. This is an independent magazine with no connection to the band that recorded it, to its members or to any record company.

About this magazine