Rip Her to Shreds

Lists: the records and bands to start with

A good list is an argument, not a ranking machine. These lists name the records and bands we think matter most between 1974 and 1984, and each entry says why it is there.

There are no reader polls, invented scores or sales charts disguised as taste here. Every entry gives the year and the place it came from, then makes the case in a few sentences: what the record changed, who it influenced, and where to start if you have never heard it.

Any list like this leaves things out, and the choices are ours. We weigh influence over fame, so a self-released single can sit next to a platinum album. Regional scenes get their due as well, which means Akron, Leeds and Düsseldorf appear alongside New York and London.

If a list sends you looking for the original records, the vinyl section explains how to tell pressings apart. The genre guides give the background that a single list entry cannot.

In this section

5 pages

Other sections

  • Genres

    Punk, new wave, post-punk, no wave and Neue Deutsche Welle explained: where each style began, which records define it and where the boundaries blur.

  • Scenes

    CBGB on the Bowery, New York punk and London in 1976: the clubs, shops and people that turned a few local bands into a movement.

  • Songs

    The stories behind punk and new wave songs: recording, line-up, chart history and meaning, told in our own words and without printing any lyrics.

  • Bands

    Independent band profiles from punk and new wave, starting with Blondie: line-ups, key records and where each band fits in the story.

  • Press

    How NME, Sounds, Creem, Punk magazine and Sniffin' Glue covered and shaped punk and new wave, from weekly music papers to photocopied fanzines.

  • Vinyl

    Practical guides to collecting punk records, identifying first pressings and choosing a turntable, with clear criteria and no made-up test results.